“I like that one!” a woman said as she scooted into the pew behind me.
I agreed. In fact, when the friend of a friend of a friend offered me her mother’s hats, sending along a less-than-stellar cellphone picture, this white hat was the one that I was most excited and curious about. (The photo was so bad, one hat I took to be cello straw turned out to be velvet). I couldn’t quite tell this white hat's shape or material, but I loved the little embellishments. When I got the collection, which also included the Brown Wool Hat, the Red Breton, and the Black Hat with Scarf, I finally got a closer look at the hat. The milliner sewed on pearls and some long thin beads that were probably silver originally but tarnished over the years.
The veil is in excellent shape, though it’s one of those long veils I’m never quite sure how to wear. For it to lie correctly it seems like I have to tie it. Yet, unwilling to harm the veil, I always tie it very loosely; it inevitably comes untied. I have other hats coming up with the same kinds of veils, so perhaps I’ll learn some tricks for wearing them before I wear them. Suggestions welcome!
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Ann Hillesland writes fiction and nonfiction and collects hats. In this blog she vows to wear (not just model, but wear out of the house) every one of her hats, blogging about their histories and their meanings for her.